Apr 172014
 

Recently I rode the Manitou and Pike’s Peak Cog Railway to the top of the mountain that Zebulon M. Pike didn’t summit on his 1806 expedition – although it bears his name. It was a chilly, overcast late winter/early spring day as we rode in cozy comfort up the 25 percent grade to reach the top in only an hour and a half.

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The view – even on a gray and windy day – is spectacular.  It was easy to see why, in 1806, Zebulon Pike set his sights on this peak as the perfect platform from which to survey the broad plains stretching below the Front Range. The easternmost of the “fourteeners” (mountain peaks more than 14,000 feet high) in Colorado, Pikes Peak commands the Front Range.  Today it is known as “America’s Mountain”,  inspiration for the song “America the Beautiful”, and the destination for gold-seeking settlers of the mid-nineteenth century with the mantra of “Pike’s Peak or Bust!”

But Pike never made the summit.

He and his expedition left St. Louis in July 1806, to document the southern portions of the new Louisiana Purchase and find the source of the Red River.  His first mission, however, was to return to their families forty-six Osage women and children who had been kidnapped by Potawatomi raiding parties in 1803 and ransomed by the U.S.  To achieve this grand gesture, the party trekked up the Missouri River to the Osage River and continued west to Osage villages near what is now the Kansas state line. “Sans Oreilles (No-Ears), one of the (Osage) chiefs who had returned from Washington made a flattering speech: ‘Osages, you now see your wives, your brothers, your daughters, your sons, redeemed from captivity. Who did this? Was it the Spaniards? No. The French? … The Americans stretched forth their hands and they are returned to you!'” (Damming the Osage, page 35, 36)

The town of Butler, Missouri, commemorates the ceremonial meeting in a mural on the town square.

"Zebulon Pike Parley with Osage Chief" - mural by Dan Brewer, Butler, Missouri

“Zebulon Pike Parley with Osage Chief” – mural by Dan Brewer, Butler, Missouri

Mural by Dan Brewer, Butler, Missouri - seat of Bates County

Mural by Dan Brewer, Butler, Missouri – seat of Bates Count

Zebulon Pike mural in Butler, Missouri

Zebulon Pike mural in Butler, Missouri

With that auspicious first goal successfully achieved, Pike and his expedition continued across the great Plains through the summer, making the Front Range in November, just as winter was setting in. Almost unfazed by the “Grand Peak,” Zebulon Pike tried to climb it with a few ill-equipped men and no supplies.  Realism inspired by lack of game for food and meteorological challenges overcame ambition. Pike chose to quit the endeavor:

“…here we found the snow middle deep; no sign of beast or bird inhabiting this region. The thermometer which stood at 9° above 0 at the foot of the mountain, here fell to 4° below 0. The summit of the Grand Peak, which was entirely bare of vegetation and covered with snow, now appeared at the distance of 15 or 16 miles (24 or 26 km) from us, and as high again as what we had ascended, and would have taken a whole day’s march to have arrived at its base, when I believed no human being could have ascended to its pinical [sic]. This with the condition of my soldiers who had only light overalls on, and no stockings, and every way ill provided to endure the inclemency of the region; the bad prospect of killing any thing to subsist on, with the further detention of two or three days, which it must occasion, determined us to return.”

He and his men did not return – but his name and the commanding view he sought remain.

 

 

Apr 052014
 

Big treble hooks and heavy line are splashing into lakes and rivers of the Osage and Missouri river systems as fisherman hope to haul in some of the hatchery-raised descendants of Osage River paddlefish.  The 2014 spring snagging season runs from March 15 to April 30. (find regulations  at the Missouri Department of Conservation website.)

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Bank fishing for paddlefish was once the norm, but today most fishermen head out in boats to troll the channels and holes. Sport fishing with treble hooks (trolling or snagging) probably doesn’t pre-date the 1950s.  Several of our vintage images show a prized catch of spoonbill  http://www.dammingtheosage.com/paddlefish-trophy-fish-3-snapshots-circa-1940/ from that era.

Once an abundant denizen of the Osage River, the current population is sustained by the Missouri Department of Conservation’s artificial breeding program at Blind Pony Hatchery    In an interesting use of the word, each year’s ‘dump’ of fingerlings is now characterized as a ‘class’ – “the 2007 class year” of paddlefish should be large enough for legal taking this year.  (just a thought … suppose the MDC does a yearbook for each class?)

In the category of “facts being lost to history,” this article from the Nevada Daily Mail, (http://www.nevadadailymail.com/story/2060915.html ) notes that “Missouri doesn’t have the long river system spoonbills need to have successful spawning …“ but fails to mention that the reason those long river systems no longer support “successful spawning” is that Truman Reservoir covered much of  the Osage River, drowning prime spawning beds under flat water.

As far as we can determine, little or no research is being done to ascertain if, once released into lakes and rivers, these artificially propagated fish are reproducing in the upper or lower reaches of the Osage. Some are concerned that hatchery-spawned fish come from a few genetic lines, “leading to genetic introgression, reduced diversity and fish that have inferior responses to a wild environment.” (page 235, Damming the Osage)

Missouri Department of Conservation staff and sportswriters seem blissfully unaware that this put-and-take fishery is not a complete or long-term solution to the continued to existence of this ancient beast. Describing hatchery propagation of a species in simple minded phrases like “win-win” willfully ignores the ultimate price that will be paid genetically for the artificial generations.

Feb 212014
 

Osage mother-daughter

Osage mother-daughter photo caption

Press Photo by Wide World Photos, 1924

Caption reads: Mother clings to Indian Custom, but Daughter … much American: The wife and daughter of Red Eagle, Principal Chief of the Osage Tribe, in Washington to adjust some finances with the Interior Department. The daughter, Mary, prefers the American fashion while mother clings faithfully to the Osage tribal robes.

Possibly Chief Red Eagle is Paul Red Eagle who was Chief from 1923-24, following Chief Ne-Kah-Wah-She-Tun-Kah’ who died while in office.

Since the 1890s the Osage tribe had had substantial income derived from the sale of drilling rights to oil discovered on their lands.  “With extraordinary foresight, the tribe had reserved subsurface mineral rights even though the land had been allocated among the 2,229 enrolled Osages.” (page 280, Damming the Osage).

Money generated by the sales of drilling rights made enrolled Osages “probably the wealthiest people on earth” (New York Times November 18, 1898). Having had great wealth and the advantages of wealth – many Osages traveled the world and pursued higher education, modern houses, fashion, and automobiles; others maintained their Osage cultural lifestyle, language and traditions. One who maintained the cultural lifestyle was Paul Red Eagle.

Six years after this photo was taken, Chief Red Eagle died. John Joseph Mathews, author of many books and articles on the Osages, attended his funeral and wrote a moving and graphic account of the final rites for the venerable warrior/chief.  In “Passing of Red Eagle” (Sooner Magazine, Feb. 1930), Mathews remembers:

For ninety years Red Eagle had lived among his people. For that many years of constant changes, contacts and shifting scenes, he remained an Indian; thinking Indian thoughts and dreaming his own dreams.  In his later years he seemed to be waiting for something. He lived quietly on this ranch preferring his horse to a car until his eightieth year. He had oil royalties but desired to live in simplicity. He had seen many things and had taken part in the wars in the southern part of the state; he talked of these wars with members of the tribe. He saw brick buildings rise up among the jack-oaks and his nation spanned with roads, some of them sinuous black ribbons winding over sandstone ridges and limestone prairie. He watched with passivity, shiny oil derricks spring up like phantasmal fungi from valleys, wooded hills and prairie. Yet, with him remained the spirit of his fathers.  To the end he remained an Indian. Frenzied wealth seeking and confused material progress did not disturb the soul of Red Eagle.

A Catholic priest presided at the funeral, but after the sermon and prayers, the son of Red Eagle and his wife came forward “and began the heart tearing wail of the race. No suffering European could so touch the deepest chords of one’s heart as does the long, quavering cry of a mourning Osage.”

 

 

 

 

 

Feb 112014
 

726Real Photo Postcard, circa 1920

People have been taking pictures of the junction of the Sac and Osage rivers  in St. Clair County, Missouri for a long time. Though the scenery along the Osage was not celebrated in oil paintings, locals have always appreciated its pastoral aspects and frequently photographed it.

These photographs were taken in March, 2010, from the lookout area on Highway 82, west of Osceola.

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Feb 042014
 

218

Chief Bacon Rind Photogravure, 1925

In his classic book, Wah’kon-tah: The Osage and the White Man’s Road, John Joseph Mathews describes Wah Tze Moh In (Star that Travels), as a ‘tall (and handsome) aristocrat’ of the Osage tribe, and a gifted orator “who adjusted himself to the conditions that the white man had brought upon his people.”

He still wore the leggings, shirt and blanket, and was seldom seen without the gorget made from the fresh water mussel, which was the symbol of the sun at noon, the god of day.”

His handsome face has been moulded in bronze and his picture painted by great artists. His face appears on programs, on brochures and as letterheads. His name, an unimaginative interpretation, is known everywhere, and is invariably associated with the word, Osage.

This image of Wah Tze Moh In clearly illustrates Mathews’ description.  The photograph was taken during one of three photo expeditions sponsored by department store magnate, Lewis Rodman Wanamaker. Wanamaker was a man of many interests, supporting the arts, education, golf and athletics, and Native American scholarship. Between 1908 and 1913 he funded expeditions with photographer Joseph K. Dixon, to document “The Vanishing Race” – the American Indians.

This is a third edition photogravure,  dated 1925.

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Jan 282014
 

 

02-v2Before Truman’s dam waters rose, there was promise of new entrepreneurial opportunities to be had with the coming of a mammoth lake. We found these roadside offerings during paddlefish snagging season in the mid 1970s.

Since the dam closed, we have been amazed at the scarcity of tourist related imagery for Truman Dam and reservoir compared to the wealth of tchotchkes for Bagnell Dam and Lake of the Ozarks. There are hundreds of times more decals, spoon holders, compacts, plates, salt-and-pepper-shakers, tablecloths, pocket knives, matchbooks, postcards, brochures, etc. for the 1931 project

539To some extent this can be explained by the fact that we are, alas, no longer in the era of the souvenir spoon. It’s a well known fact that contemporary Americans are far more refined and sophisticated than their kitsch collecting grandparents – Right?

The sad truth is that Truman Dam and Lake have failed to develop into the promised and anticipated tourist mecca.  Even the dam itself is architecturally bland compared to the structure that creates Lake of the Ozarks. It lacks a singular identity, an iconic image, which are important components of success in the tourism industry.

We were sure at the time of the lawsuit, that the environmental damages would be unavoidable. Predictions of economic benefits to the area from tourism we suspected were exaggerated. As things have turned out,  the promised profitable tourist industry has been a disappointment (putting it mildly). A recent PhD thesis – “The Changing Landscape of a Rural Region: The Effect of the Harry S. Truman Dam and Reservoir in the Osage River basin of Missouri ” – by Melvin R. Johnson bears out our pessimistic appraisal and personal observations as we travel the area.

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Jan 272014
 

February’s issue of Rural Missouri offers ” A Mid Winter Read: New books from five Missouri writers” – including Damming the Osage.  We especially appreciated these comments: “”While others have dipped their pens into the river, no one before has taken such a close look at the river’s past, present and future. … The Paytons leave you with a sense of wonder at a region chocked full of cultural history and natural beauty.”

The digital magazine is posted online at http://www.ruralmissouri.org/digitalrm/index.php (see page 12).

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Jan 222014
 

643Small cabinet card by Moore

Written on the back:  “No. 7 Warsaw Flood April 24, 1906. Duplicates 15ȼ Moore’s Gallery, Warsaw Mo.”

As this photo shows, the spur railroad from Sedalia to Warsaw unwisely located its station in the floodplain.

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Jan 152014
 

453Cast aluminum and painted license plate frame, circa 1940s

Lake of the Ozarks filled in 1931 but the Depression and World War II stymied its tourism development. From the late 1940s on, gift shops located along Highway 54 offered hundreds of kinds of objects to verify that you had indeed visited beautiful Lake of the Ozarks.  As the lake itself is all but unphotographable — like all reservoirs in existence, a parking lot for water — the favored icon was Bagnell Dam, which it must be conceded, is quite graphic.

By contrast, Truman Dam has all the charm of a gigantic farm pond, with a little center section of brutal concrete – boxy and utilitarian, impersonal, boring. Interestingly, we haven’t found anything like the number or variety of physical souvenirs of Truman to compare with the almost endless numbers of Bagnell Dam vacation memorabilia.

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Jan 082014
 

731

Advertising Brochure, 1940s

We devoted a full page (p. 129 to be precise) to the Gov. McClurg in Damming the Osage but we just acquired this ephemeral treasure – a brochure advertising the dining, dancing and photography opportunities available to visitors on their lake cruises. The Sunset Cruise was at 7 p.m.; Nature’s own romance trips, the Moonlight Cruise was at 9; and on the 11 p.m. cruise, vacationers could dance their way into the wee hours to “an excellent selection of music.” Local bands often supplied the music. During the summer of 1955, the Bob Falkenhainer Quartet supplied the rhythms; one of the quartet was Marshall, Missouri high school student,  Bob James, now famed jazz keyboardist, producer and arranger. It was an ideal gig for a teenager – play the summer evenings away and swim and water ski through the days.

Before the lake filled, Highway 5 crossed the Osage River at the toll suspension bridge near Linn Creek. While two modern bridges were being built to connect Versailles with Camdenton, the custom built Gov. McClurg ferried cars across the river. It carried twenty cars at a time the mile and a quarter from Lover’s Leap to Green Bay Terraces, an early Lake development. Backed up traffic was common on weekends.

When the new bridges were finished and Highway 5 relocated, the Governor McClurg ferry was refurbished as an excursion boat.  Through the late 1930s and into the 1960s, the Gov. McClurg showboat offered day or night lake cruises from its dock at the west end of the Glaize bridge.

When the Lodge of the Four Seasons acquired the Gov. McClurg excursion boat, it was renamed the Seasons Queen.

The boat was named for Joseph W. McClurg, respected citizen of old Linn Creek.  He was a well educated, dapper gentleman, who, before the Civil War, was co-owner of the Linn Creek Big Store which did a half million dollars a year business. After the Civil War McClurg was elected to Congress three times and governor of Missouri once (1868). “The soft spoken, religious, teetotalling McClurg could be considered the most distinguished figure in early Osage valley history. Certainly, he was the only personage in the region photographed by Mathew Brady.” (page 54, Damming the Osage)

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